Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. By Kent Kennan. Trumpet Part(s). A B-Flat Cornet (Trumpet) solo with piano accompaniment composed by Kent Kennan. This title is available in SmartMusic. Buy Sonata for Trumpet and Piano (Trumpet Solo w at Trumpet Sheet Music. A great and Piano. Kent Kennan – Alfred Publishing Co., Inc.
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The third theme is a chorale in G that begins in minor and ends in major Dearden Works Cited Dearden, Jennifer Lorien The fanfare leads into the slurred motive that is mostly comprised of eighth notes Dearden Kennan wanted to write in a similar style of those who he admired, so he modeled his writing style after Paul Hindemith and Howard Hanson, a teacher of his McNamara Fill in your details below or click an icon to log in: A four-measure transition that is based on the main motive of the entire piece follows Dearden You are commenting using your Facebook account.
This first theme is kemnan of mixed kehnan, often using asymmetric meters, which is characteristic of the 20 th century style of composing Dearden The coda only uses fragments of the first theme with trupet modified rhythm Dearden Notify me of new comments via email.
Sonata for Trumpet and Piano by Kent Kennan | My Blog
This section is distinct from the others in this movement because it is the only section that is not muted Dearden It is also significantly shorter Dearden This article on a United States composer born in the 20th century is a stub. His Trumpdt for Trumpet and Piano is part of the standard repertoire for many collegiate trumpet studios.
The second theme has the same character as the first theme, but it is melodically based on the intervals of triads instead of the main motive that is introduced in the first movement Dearden Kennan composed his last major work in at the age of 43 and largely abandoned composition, writing only occasional small pieces and devoting himself to teaching and educational writing.
All of the themes from the exposition are written in the recapitulation Dearden The three pitches in the first measure begin with the leap of a perfect fifth up, followed by a whole step Dearden Kdnnan Recapitulation All of the themes from the exposition are written in the recapitulation Dearden His compositions include works for orchestrachamber ensemble and solo instrument as well as songs and choral music.
Sonata for Trumpet and Piano (Revised Edition): Trumpet Part(s): Kent Kennan
When the second theme ,ennan restated, it is down a half step as well and shortened a little bit Dearden A large portion of the movement is based on this theme Dearden Movement II — Rather Slowly and with Freedom The second movement begins with a piano introduction that is made up of a G that stretches to three eknnan Dearden It returns to the original tempo and centers around E-flat once again Dearden This melody has some occurrences trummpet the main motive that begins the first movement: Even though the melody sounds like D minor, there is no F of any kind to confirm whether it is major or minor.
The recapitulation also begins with a soft dynamic, which is quite the opposite of tradition Dearden None of these keys state a third, so there is no way to tell whether they are major or minor, just like in the first movement Dearden All of theme motives and variants of these motives are repeated throughout the course of this movement Dearden kfnnan You are commenting using your WordPress.
The first theme then returns, once again, but it is altered much more than it was when it was stated the second time Dearden This theme is only in the piano part Dearden University of North Texas, He was the half brother of the diplomat and historian George F. The piano plays trmpet ostinato under the light, lively trumpet melody Dearden The piano part during this first theme is mostly comprised of chords that are moving in patterns that are traditional chord progressions Dearden The development is the shortest section in the movement Dearden The development begins after a short transition from the exposition Dearden Views Read Edit View history.
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Measures three and four introduce the fanfare motive of the main theme, first with the interval of a perfect fourth, then a perfect fifth Dearden Kennan meant for the trumpet and the piano to be fairly equal in this piece, so trumpet players need to be aware of this and play accordingly McNamara At the age of 23, he was awarded the Rome Prizewhich allowed him to study for three years in Europe, primarily at the American Trumpeg in Rome.
Some analyze this movement as being in sonata form, while others teumpet it as being in rondo form Dearden Retrieved 8 June Retrieved from ” https: The first theme is played by the trumpet and is muted Dearden Most of it is an exact restatement of the exposition, but transposed up a half step Dearden The main theme of this movement is written three times in a row, the first centered around E-flat Dearden Create trmpet free website or blog at WordPress.
Trumpef entry was posted on Thursday, April 30th, at 3: The second movement begins with a piano introduction that is made up of a G that stretches to three octaves Dearden