KENNAN SONATA TRUMPET PDF

: Sonata for Trumpet and Piano: Edition, Part(s) ( ): Kent Kennan: Books. Check out Kent Kennan: Sonata for Trumpet and Piano: II. Rather Slowly and With Freedom by Giuseppe Galante on Amazon Music. Stream ad-free or purchase. Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas.

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A four-measure transition that is based on the main motive of the entire piece follows Dearden Works Cited Dearden, Jennifer Lorien He also made the first movement shorter and slowed the tempos in the first and third movement slightly McNamara This is followed by a restatement of the main theme in a new key and at a slow tempo, making it lyrical at first, then transitioned to the original tempo and style Dearden It is also significantly shorter Dearden This made the piece much easier to perform McNamara All of the themes from the exposition are written in the recapitulation Dearden This movement also has a short closing theme Dearden The material in the coda moves from A-flat, to F, then to D-flat, and ending in B-flat for the cadence that ends the piece Dearden trmpet The return of the first theme is very similar to the first time it is stated, but it is transposed down a half step and the piano accompaniment is different Dearden The main motive that was introduced in the first movement appears frequently in this theme Dearden This first theme is full of mixed meter, often using asymmetric meters, which is characteristic of the 20 th century style of composing Dearden This melody has some occurrences of the main motive that begins the first movement: All of theme motives and variants of these motives are trympet throughout the course of this movement Dearden The second movement ends with a coda in C major, which has not been played in until this point in the piece Dearden It is also the only theme that rrumpet centered around a tonic in the entire movement Dearden This statement of kdnnan theme ends with a ritardando that goes into a fermata Dearden Movement III — Moderately Fast, with Energy Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden The first movements are both in Sonata-Allego form, the second movements trum;et in Three Part Song form, and the third movements are in Rondo form, causing them to both have the same overall structure as well McNamara Measures three and four introduce the fanfare motive of the main theme, first with the interval of a perfect fourth, then a perfect fifth Dearden University of North Texas, In the following measure, the three pitches begin with a sonxta down by a perfect fifth, then a whole step Dearden Leave a Reply Cancel reply Enter your comment here None of these keys state a third, so there is no way to tell whether they are major or minor, just like in the first movement Dearden The piano has this theme at first underneath the trumpet, then they switch and the trumpet has the inverted form of the first theme while the piano plays something totally different Dearden The first theme is played by the trumpet and is muted Dearden The Development The development begins after a short transition from the exposition Dearden University of Maryland, The first theme is very rhythmic and separated Dearden You can follow any responses to this entry through the RSS 2.

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The development begins after a short transition from the exposition Dearden This theme is only in the piano part Dearden The fanfare leads into the slurred motive that is kennnan comprised of eighth notes Dearden The Coda The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden This entry was posted on Thursday, April 30th, at 3: The three pitches in the first measure begin with the leap of a perfect fifth up, followed by a whole step Dearden The second theme has the same character as the first theme, but it is melodically based on the intervals of triads instead of the main motive that is introduced in the first movement Dearden It is based on the secondary theme and uses accents to make the meter difficult to figure out by simply hearing it Dearden The rest of this movement is based largely around this main theme Dearden Dearden, Jennifer Lorien

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