James Stirling and Michael Wilford & Associates’ postmodern design for the extension of the Staatsgalerie Stuttgart, a project also containing a theater and a . Neue Staatsgalerie by James Stirling architect, at Stuttgart, Germany, to , architecture in the Great Buildings Online. Neue Staatsgalerie Stuttgart, Germany – Kulturmeile complex, Stuttgart Architecture, Baden Wurtemburg Building, Neue Staatsgalerie Building.

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From Wikipedia, the free encyclopedia. For licensing motion picture film footage it is advised to apply directly to the copyright holders. Privacy policy Imprint FAQ.

Staatsgalerie Stuttgart

This outdoor, enclosed space houses the sculpture garden. Verlag Gerd Hatje, New Directions in British Architecture. We will be glad to accept your guided tour booking.

The building layout bears resemblance to Schinkel ‘s Altes Museumwith a series of connected galleries around three sides of a central rotunda. It is approached to front right by a staircase and to dtirling left by a ramp dominated by oversized coloured hand-rails.

Peter Arnel and Ted Bickford, ed. The Museum of Modern Art,p. Rizzoli Internation Publications Inc. The Neue Staatsgaleriea controversial [3] architectural design by James Stirlingopened on March 9, on a site right next to the old building. The building’s most prominent feature is a central open-top rotunda.

Neue Staatsgalerie – James Stirling – Great Buildings Architecture

More information is also available about the film collection and the Circulating Film and Video Library. Slide from photographer’s collection.


From Wikipedia, the free encyclopedia.

The building was built in Wikimedia Commons has media related to Staatsgalerie Stuttgart. The new gallery occupies a site next to the old Staatsgalerie. This record is a work in progress. Here you will find all of the information you need for your visit, such as opening hours, prices, how to find us, Please help improve this article by adding citations to reliable sources.

By using this site, you agree to the Terms of Use and Privacy Policy. The building incorporates warm, natural elements of travertine and sandstone in classical forms, to contrast with the industrial pieces of green steel framing system and the bright pink and blue steel handrails.

The Illustrated Encyclopedia of Architects and Architecture. Glimpsed through small windows in this area, the central, scalped stone-faced rotunda can be seen. This page was last edited on 19 Octoberat Stirling made the drawing early in the project, and elements such as the informal and decorative metallic pink railings were relocated in the final design.

Die Neue Staatsgalerie Stuttgart t. The orange revolving doors and the blue canopy with its supporting green I-beam are viewed from beneath, while the wall with its Romanesque window, and the red beam to which the canopy is attached, are shown in elevation. For access to motion picture film stills please contact the Film Study Center. Rizzoli International Publications, If you would like to reproduce text from a MoMA publication or moma. Visitors to the show will discover such sensational plans as those for the Engineering Building of the Leicester University —63the British Olivetti headquarters —74or the Social Science Research Centre in Berlin — Retrieved from ” https: James Frazer Stirling —is regarded as one of the most influential and innovative architects of the second half of the 20th century.


Inthe opening of the Neue Staatsgalerie New State Gallery designed by James Stirling transformed the once provincial gallery into one of Europe’s leading museums.

This drawing is an unusual perspective view of the main entrance, showing it from various stirlinv points at once—both from below and in elevation. This article needs additional citations for verification. These eclectic juxtapositions of traditional elements, along with the more contemporary presence of components in colored metals, result in an inventive and vibrant modern building. James Stirling, Buildings and Projects.

By uniting Modernist elements with overt Classicism, architectural critic Charles Jencks claims the gallery “epitomized the first stage of Post-Modernism in much the way the Villa Savoye and Barcelona Pavilion summarized early Modernism “.

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